Here’s an interesting post from KonsonantMusic on how to get the most out of the composer/director relationship. Whether you’re a composer or a director, it’s well worth reading. The post details exactly what composers need from their directors: video and time code specs, picture lock, schedule and timing, constructive input and direction, and perhaps most importantly, clear communication.
So much of the composer/director relationship comes down to communication. This of course works both ways. If a composer is silent for weeks and doesn’t keep the director informed about what their up to, it should be obvious that that would be frustrating for the director. Likewise, if the director isn’t clear about exactly what they need the composer may end up having to make needless revisions. This may not seem like a huge deal from the director’s standpoint, but unhappy, overworked composers rarely do their best work.
Take a look, and see if you can find ways to improve your relationship with your composer or director on your next project.