Daily Film Scoring Bits

Photo by Melissa Gruntkosky

Here’s a great site offering (as the title so obviously implies) daily bits of film scoring wisdom. The posts are written by Dresden-based composer Robin Hoffmann, who heroically crafts a paragraph for his blog nearly every day. Robin covers all sides of film scoring, from composition itself to orchestration, marketing and delivery of final cues. The pieces, although short, are almost always useful. Here’s a recent example:

“When you write a cue, make sure to sustain a ‘musical language’ throughout the piece. It will feel very strange if you use simple triads all the way through and suddenly use one very complex chord. Also, melodic and rhythmic complexity should stay in a certain range throughout a piece. This might seem simpler than it actually is and often one idea might not really fit together with each other or you might stumble across a chord that you like on its own but which doesn’t fit into the rest. So when finding ideas, it is not only a decision whether it is a good idea but also whether it fits to the rest of your music.”

Check out the daily bits here.

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