Here’s a great interview with Thomas Newman on the Lemony Snicket score (one of my personal favorites of his). The link comes courtesy of Film & Game Composers, so thanks to Emmett Cooke for the original post.
The video concentrates on the orchestral recordings, not necessarily the most interesting or unusual part of a Thomas Newman score, but still fascinating and educational. He talks about the danger of overwriting, the trouble with describing characters through music, and his technique of experimenting with small ensembles and how that effects his orchestral writing. Especially instructive are his thoughts on having the director hear the music numerous times in his studio before the recording session, which allows the director to have plenty of opportunities to reject ideas while there’s still time to change them.