In researching the best scores of 2011, I’ve been doing a lot of rooting around on the internet. One of the sites I’ve spent a lot of time on recently is Filmtracks.com.
Filmtracks, produced by Christian Clemmensen, is a rather gargantuan and impressive undertaking for a single person. Clemmensen has allegedly written over 1.3 million words of soundtrack commentary in the site’s 16 years of operation. Filmtracks generally reviews more recent movies, especially top box-office draws. It does cover some older scores, but per their guidelines, rarely anything before 1975.
Clemmensen is clearly a lover of great film music, and is well-versed in it’s language and traditions. He can be harsh at times, but personally I appreciate a more stringent reviewing style as long as the reviewer has done their homework and uses consistent standards. As close as I can tell, Clemmensen does just that. He’s tough, but fair, and definitely does his research. He reviews the scores both in relationship to the film and standing on its own (a valid approach, since in my mind great film music must work both ways). In some cases, such as the Lord of the Rings scores, he even reviews the various editions of score CDs available—helpful if you’re looking for the best version of the soundtrack to buy.
All in all, I greatly appreciate the work that Filmtracks does, and I often consult the site before or after seeing a film to find out if their experience matches my own. I usually learn something in the process.