Those of you that use it know that LA Scoring Strings is an incredible tool for creating realistic string mockups and recordings. But it can be a little daunting at first, especially with the A.R.C. and all of the complexity (and power) that brings. When I first started using LASS, I didn’t know how to set up keyswitches and quickly retreated to putting different articulations of a string section in different Kontakt instruments just so I could get my piece finished.
I’ve recently been mixing a piece for a fellow composer and saw that he had used exactly the same workaround that I originally had—placing each articulation on a different track in his mix. I realized there may be a lot of you out there who haven’t yet found the excellent video tutorials on the Audiobro site, so I thought I’d share those. As you can see from the video, setting up keyswitching isn’t all that complex once you understand how it’s done, but if you don’t know how to do it you’d be hard pressed to work it out on your own. The best part is, you only have to set it up once and then save your template in Kontakt. Continue reading →
I got my hands on Vir2’s Fractured: Prepared Acoustic Guitar sample library a while back and I’ve since been loving its strange and beautiful sounds. Fractured takes a much more esoteric, avant-garde approach to acoustic guitar sampling than you’ll typically find. Instead of trying to recreate a gorgeous-sounding guitar, Fractured’s creator hit the instrument with chopsticks and erasers, placed bobby pins and shoelaces in the strings, and completely destroyed the sounds with effects and post-processing. Many of the pads, drum kits and sound effects make you quickly forget that the samples were made by an acoustic instrument of any kind, let alone a guitar.
Full disclosure: I’m friends with the creator, Brendan Hogan, and I wrote one of the demo tracks on the Vir2 site in exchange for an NFR copy of the library. That being said, I’ve tried to be completely honest here and point out any flaws I found alongside the positive features. Continue reading →
Here’s a great tutorial from composer Michael Patti and Cinesamples, wherein Mike creates an orchestral action cue in 8:57. He doesn’t mention what sample libraries he’s using, but I can only assume they’re all from Cinesamples since they’re sponsoring the video. The video is a lot of fun and highly educational to boot.
Edit: Patti does mention one of the libraries he’s using. The trumpets are from EastWest (I’d imagine from EastWest Symphonic Orchestra
). And for those curious about the octatonic scale (also called the diminished scale), there’s more info here.